Johann Sebastian Bach
in digital (parallel) interpretations
With the instruments of the 21st century, exploring the sound ideas of Bach’s music in the 18th and 20th centuries.
01↗A compendium of baroque music for keyboard instrumentsClavier-Übungen Vol. I–IVPartitas, concerto, ouverture, prelude and fugue, chorale preludes, duets, variations
02↗“Præludia und Fugen durch alle Tone und Semitonia”The Well-Tempered Clavier Vol. I+IIExplorations in the 24 keys of equal temperament
03↗Adaptation of the Italian baroquePreludes and fugues on themes by Tomaso AlbinoniBach’s musical interests
04↗Bach’s study objects21 “Clavier” transcriptions of instrumental concertos by other composersThe joyful playability of mostly Italian baroque concertos transferred to Bach’s keyboard instruments
05↗Milestones of the baroque concertoViolin concertos and Bach’s own arrangementslively inspired music for use at court
06↗Brahms’ finger exercisesBrahms’ piano transcriptions of Bach’s violin piecesA challenge to technique and musical understanding
07↗Keys or strings?Works for lute and lute-harpsichordMusical explorations in instrument making“What I say about Bach’s works?
Albert Einstein, 1928
Hear, play, love, revere
… and keep your mouth shut!”